LUVCELEBS

Break Point is an emotional ride into Indian tennis's ultimate fairytale gone wrong, observes Deepti Patwardhan.  Why did Leander Paes and Mahesh Bhupathi break up? The question has haunted Indian t...

What should be a cautionary tale on choosing your one-night stands with care becomes another lousy attempt to rehash the Dilwale Dulhania Le Jayenge formula by cooking up one implausible scenario afte...

To be able to bid farewell to Daniel Craig is an emotion all fans of the Bond franchise must experience, feels Aseem Chhabra. No Time to Die is quite a party. Old friends, nemesis and new ones show u...

Kaanekkaane is Suraj's triumph all the way, declares Divya Nair. Manu Ashokan's directorial debut Uyare was a hit. So naturally, I was excited about his second film Kaanekkaane. Starring Tovino Thoma...

Kota Factory finds success in a winsome cast as they lend heart to its moods and mundanity, nots Sukanya Verma. Most fictional takes on student goals opt for a comforting tone, a romanticised accepta...

Any movie about time loops is bound to draw comparisons with the Bill Murray classic Groundhog Day, but Palm Springs holds rather well on its own, raves Sukanya Verma. 'Today, tomorrow, yesterday, it...

Between bad writing, hysterical acting and a shoddy blend of CGI and the real deal, Haathi Mere Saathi completely neglects the message of saving our elephants, feels Sukanya Verma. A forest officer...

Saif saves Bhoot Police from tedium, observes Namrata Thakker. Film-makers have been exploring the horror-comedy genre in Bollywood, but only a few films have tasted success. Barring Golmaal Again an...

What was the need to fictionalise a series on real events that were far more horrific because they were real? asks Vaihayasi Pande Daniel. Why did one of the 26/11 terrorists, who died, come alive? H...

Things may seem too nice to be true but the affable energy of its harmonious cast makes Potluck a rare light watch on the desi OTT scene, says Sukanya Verma. A well-heeled Indian urban family, its mi...