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Sky Force Review
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The nationalism of Sky Force is low key -- which is its weakness, as well as its strength -- and it does not manipulate the audience into a pre-decided hate-the-enemy response, observes Deepa Gahl...
Pravinkoodu Shappu Review
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Pravinkoodu Shappuis a quirky whodunnit with its fair share of laughs, observes Arjun Menon. The Agatha Christie who dunnit template offers a goldmine of opportunities for storytellers, and Pravi...
Emergency Review
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Kangana Ranaut's decline as an actor feels complete, observes Utkarsh Mishra. What would you, my fellow Indian, envision if I asked you to imagine a dramatic depiction of the sequence when Prime ...
The Roshans Review
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The Roshans is somewhat like leafing through a glossy coffee table book full of trivia -- no depth, but such a shiny collection of memories, observes Deepa Gahlot. The nepotism debate is dialed d...
Paatal Lok 2 Review
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Paatal Lok 2 breaks the second season curse and spins yet another engrossing mystery, observes Mayur Sanap. It is always daunting to dive into shows that had excellent first seasons, as more ofte...
Azaad Review
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When Ajay Devgn and the horse are off the screen, Azaad loses the little spark it has, observes Deepa Gahlot. The problem with making a film to launch industry kids is that more often than not, t...
Black Warrant Review
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Vikramaditya Motwane and Satyanshu Singh have created an excellent but grim series, applauds Deepa Gahlot. A fresh faced law graduate takes the job of a jailer in Delhi's hellhole, Tihar Jail, be...
Hansal Mehta Reviews Black Warrant: 'Captivating'
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'While we've seen some standout series over the past year, few have been as captivating and binge-worthy as Black Warrant.' IMAGE: Rahul Bhatt and Zahan Kapoor in Black Warrant. Netflix's new Web...
Sangeet Manapmaan Review: A Lost Opportunity
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For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap. What can be more pure and primal than seeing a piece of cinema t...
Game Changer Review
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Game Changer is underwhelming in the sense that you see the potential being squandered away by timid filmmaking, observes Arjun Menon. Shankar's films don't aspire for scale, they demand it. Afte...