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Saas Bahu Aur Flamingo Review
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Saas Bahu Aur Flamingo overdoses on sex, violence and drugs without an inkling of plot or purpose, feels Sukanya Verma. When Homi Adajania conceived Saas Bahu Aur Flamingo in 2015, it was a three-pag...
Ponniyin Selvan: 2 Review
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Everybody knows he's a master of sublime, but Mani Ratnam's brilliance in escalating drama delivers a goosebumps-inducing impact when bolstered by A R Rahman's musical gravitas, notes Sukanya Verma. ...
Review: The Song Of Scorpions
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The Song Of Scorpions is a reminder, if one were needed, that Irrfan was not just a star actor but a true artiste, observes Deepa Gahlot. The arid and rugged landscape of the Thar desert in Rajasthan...
Bad Boy Review
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A movie like Bad Boy being made in 2023 would have been just as unwatchable no matter who made it.That Rajkumar Santoshi has, is almost heart-breaking, sighs Deepa Gahlot. There is something ineffabl...
U Turn Review
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Alaya F actually holds the film together, pulling out the right emotions required, and not letting the slightest scepticism leak out of those large, expressive eyes, observes Deepa Gahlot. It can hap...
Citadel Review
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Pucker those lips and blow out a loud whistle for Priyanka Chopra, applauds Sukanya Verma. An upside down camera in slow motion glides inside a luminous luxury coach racing against the golden hour li...
Kisi Ka Bhai Kisi Ki Jaan Review
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Salman Khan is so neck deep in his formulaic rut that the only way he knows out is to dole out some more of the bunk.Except now, the swagger has traded places with desperation, notes Sukanya Verma. S...
Tooth Pari Review
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The series has many flashbacks, detailed and pointless backstories, too much information and needless characters so the unlikely romance is lost underneath the frenzy, observes Deepa Gahlot. A large ...
Garmi Review
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Of late, crime, politics, corruption and hate have been leaking out of every streaming platform.By the time Garmi drops, fatigue has already set in, observes Deepa Gahlot. For most directors, the fir...
Shaakuntalam Review
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The love story of Shakuntala and Dushyant is so familiar, from textbooks, comics, stage and screen versions, that it has become part of our cultural DNA.If a film-maker thinks he can make it his own b...