LUVCELEBS

Crakk is absolute crap, declares Mayur Sanap. Sometimes mere words cannot describe something adequately to pinpoint just how idiotic and vapid some film experiences are. Witnessing Vidyut Jammwal's a...

Poacher neither minces words in condemning these self-seeking slaughterers nor leaves any stone unturned in highlighting the hard work put in by friends of the forest, notes Sukanya Verma. It's decep...

Mammootty is towering as the unflinching enigma that prevents Bramayugam from being a middling genre exercise, observes Arjun Menon. Bramayugam is the third directorial feature by Rahul Sadasivan of ...

Anweshipin Kandettum is a fascinating genre exercise let down by its incessant attention to details, observes Arjun Menon. Anweshipin Kandethum is about four unlucky cops. At least that's what the ma...

Love Storiyaan comes alive in the courageous and fearless voice of six spirited romantics speaking direct dil se, applauds Sukanya Verma. Six real-life couples share the story of their coming togethe...

Lal Salaam is not a movie A Ganesh Nadar would recommend. The title would make my activist friend Uttam Ghosh very happy. It is the red salute exchanged between people, who still believe in an egali...

Bhakshak should create some awareness and maybe raise some compassion towards victims of abuse, observes Deepa Gahlot. There are sporadic media reports on the horrific abuse of girls in orphanages an...

Aarya Aakhri Vaar should have been slicker and more polished than the first, or at least ended with a louder bang, observes Deepa Gahlot. The first season of Aarya, adapted from the successful Dutch ...

A feeble fable masquerading as a robo rom-com, Teri Baaton Mein Aisa Uljha Jiya aspires to address what unrealistic expectations in a relationship can lead to, observes Sukanya Verma. Joining the ran...

Even though the story has nothing much to say beyond its central conflict, the film is consistently poignant and, in one scene near the end, it leaves you dewy-eyed, observes Mayur Sanap. What happen...