LUVCELEBS

Tamil film Naalu Policeum Nalla Irundha Oorum is a tedious watch, says S Saraswathi. Debutant director N J Srikrishna’s Naalu Policeum Nalla Irundha Oorum revolves around the saying, 'All our a...

Bangistan has unconventional music but it doesn't impress, says Aelina Kapoor. One expects a different kind of music from Ram Sampath, and his music for Bangistan is expectedly unconventional. N...

Ant-Man is a pretty watchable light movie, but ah, it could have been a Wright movie., says Raja Sen. Some superheroes have the same problems we do. The tiny Ant-Man and his equally puny adversary,...

Masaan is an immense achievement for a first-time filmmaker and must be applauded, says Raja Sen. It’s devastatingly hard to crush a skull. For all its lifelong fragility, the human skull is...

It's hard to root for Aisa Yeh Jahaan despite its beautiful concept, says Paloma Sharma. Biswajeet Bora's directorial debut, Aisa Yeh Jahaan, brings to the silver screen a conversation that we, as a s...

...

Acha Din is quite a disappointment as it lacks depth, even though it deals with a serious subject, says Paresh C Palicha In Acha Din, Mammootty plays Durgaprasad, a migrant labourer from Jharkha...

Love 24x7 is a promising debut by Sreebala K Menon, writes Paresh C Palicha. Writer-director Sreebala K Menon attempts to do something different in her first feature film, Love 24x7. Here, two ...

Bajrangi Bhaijaan is an overearnest, oversimplified, sweet and frequently schlocky film, which works because of a finely picked supporting cast, some sharp lines of dialogue and, most crucially,...

'Even in its unmistakably masala tone, Bajrangi Bhaijaan firmly believes the desire for peace is universal and recommends being a hero.  Or just human,' says Sukanya Verma. Children are strange, su...