LUVCELEBS

Nee-Na is another brilliant effort by director Lal Jose, says Paresh C Palicha. In Nee-Na, director Lal Jose tries to analyse the impact of drinking on an individual and the people around that individ...

Overall, the music of Dil Dhadakne Do doesn't come close to that of Zindagi Na Milegi Dobara, writes Aelina Kapoor. Director Zoya Akhtar joins hands with dad Javed Akhtar and their favourite composers...

Bombay Velvet paints a pretty postcard but not the soul of its decade, feels Sukanya Verma. Cluttered with reminders of the past, the Bombay in Anurag Kashyap’s brand new movie pretendsÂ...

A simple yet effective script, well executed by the director, and the wonderful performance of Jyothika definitely make 36 Vayadhinile worth a watch, writes S Saraswathi.  36 Vayadhinile i...

Lailaa O Lailaa is a tacky film that wasted the resources at its disposal, writes Paresh C Palicha. Why is there no retirement age for people in creative fields? One asks this question after wat...

Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra. Towards the middle of Anurag Kashyap’s Bombay Velvet, Anushka Sharma’s Rosie Noronha stands on ...

Bombay Velvet is an obviously shallow film, an all-out retro masala-movie with homage on the rocks and cocktail-shakers brimming with cliche, says Raja Sen. There are some filmmakers who scoff at t...

Director duo  Jexson Antony and Rejis Antony did obviously did not want the title to be reflective in the film but somehow that’s just what the film has to offer says Paresh C Palicha....

The pick of the four songs are Lalla Lalla Lori and Boat Ma Kukdookoo, which at least go well with the fun flavour of the film, writes Aelina Kapoor With titles like Lalla Lalla Lori, Boat Ma Kukdooko...

Tanu Weds Manu Returns album could have done fewer songs, says Aelina Kapoor. Fun and celebration are two moods one expects the music of Tanu Weds Manu Returns to reflect. The music is composed by Krs...