LUVCELEBS

Ivide tries to tackle a lot of things but ends up satisfying none, says Paresh C Palicha. The scope of a police story in Malayalam cinema was very limited until a few years back. Prithviraj, the yo...

The kindest thing I can say about Ishqedarriyaan is that it is yawn worthy, says Paloma Sharma. IshqedarriyIaan, V K Prakash's next Hindi venture after the 2009 Mithun-Dimple Kapadia starrer Phi...

Massu Engira Masilamani is yet another trademark Venkat Prabhu entertainer. After the debacle of his previous film Anjaan, Suriya turned to Venkat Prabhu, one of the most successful commercial film...

Swargathekkaal Sundaram is one more addition to the heap of films that leave hardly anything to be remembered, says Paresh C Palicha. If you think that the so called ‘new- gen’ themes ...

Kumbasaaram is an over the top which has nothing new to offer, says Paresh C Palicha. Malayalam actor Jayasurya who entered films after doing mimicry on stage has been trying to get validation a...

Tanu Weds Manu Returns is not merely superior to its predecessor but the flamboyance and fun it provides is an implication we're not quite done with this mad duo yet, writes Sukanya Verma. Never ju...

Tomorrowland falls short of greatness it was capable of achieving, says Paloma Sharma. Coming The Incredibles and Ratatouille director Brad Bird, Disney's Tomorrowland is an over two-hour science f...

Director Ajay Gnanamuthu’s Demonte Colony is a crisply written, well executed horror thriller that will keep you glued to the screen, says S Saraswathi. After a slew of romantic comedi...

Surkhaab lacks the strength to go all the way either to become a masala thriller or to blossom into an insightful take on the exploitation of immigrants, notes Paloma Sharma. Surkhaab ( meaning Red...

Director S P Jananathan’s Purampokku Engira Podhuvudamai is an honest and compelling political thriller that debates the arbitrary nature of capital punishment against the backdrop of a c...