LUVCELEBS

Tamil film Idhu Enna Maayam is saved by its light, situational humour, says S Saraswathi.Love, misunderstanding, pride, heartbreak, separation and eventual reunion form the basic formula for most roma...

Tamil film Sakalakala Vallavan Appatakkar lacks imagination, says S Saraswathi. Director Suraj’s Sakalakala Vallavan Appatakkar is an outdated action comedy that offers little to hold your inte...

Malayalam film Ayaal Njanalla has its moments, says Paresh C Palicha. If reimagining or recycling an old theme is considered experimenting then Ayaal Njanalla is easily one of the best experiments ...

All seems to be well with All Is Well. The film has taken its own time to reach the finishing line but fortunately for it, the music is doing some good talking, says Aelina Kapoor. It's such fun to w...

The Jaanisaar soundtrack is worth a listen but it may not be everyone's cup of tea, writes Aelina Kapoor. The Jaanisaar soundtrack includes as many as 10 songs, all belonging to the period era. The...

Several parts of Drishyam work but the film is more tackiness than craft, says Raja Sen. Some movies appear on our viewing doorstep carrying far too much baggage. Drishyam, for instance, is a Hi...

Orange Mittai has its sweet and sour moments, with just the right balance of humour and emotions, says S Saraswathi. Actor Vijay Sethupathi has never been afraid to experiment with unconventional ...

Pixels could very well be the most unremarkable Hollywood film of the year, says Paloma Sharma. Have you ever wondered what would happen if old video games came to life, tried to destroy the world and...

Tamil film Naalu Policeum Nalla Irundha Oorum is a tedious watch, says S Saraswathi. Debutant director N J Srikrishna’s Naalu Policeum Nalla Irundha Oorum revolves around the saying, 'All our a...

Bangistan has unconventional music but it doesn't impress, says Aelina Kapoor. One expects a different kind of music from Ram Sampath, and his music for Bangistan is expectedly unconventional. N...