LUVCELEBS

Sharmaji Ki Beti's airy-fairy approach doesn't quite convince.It's like the women are all angels readily accepting any change or transgression while the men are either super supportive or super schmuc...

Prasanna Vithanage's Parasdise leaves the audience to read between the lines and draw their own conclusions about the frailty of human nature, and how easily violence seizes the most unexpected prey, ...

Prabhas may be the face of Kalki 2898 AD’s heroics but the real bang for your buck is delivered in Amitabh Bachchan’s indefatigable energy providing Kalki’s biggest wolf-whistle moments, app...

What makes Ullozhukku worth recommending is its ability to surrender to the surprises and yet grow with its characters, observes Divya Nair. When you think of the rains, one of the most common emotio...

Maharaj's mediocre social drama lacks the spine and spunk to recreate the relevance of revolutionary decisions in the face of religious fanaticism, observes Sukanya Verma. It's rare for a star son to...

The new season takes the students out of their preoccupation with studies to other problems -- jealousy of another's easy success, a blip in a romance, financial crunch, meltdowns, discovers Deepa Gah...

Ishq Vishk Rebound is a drab romance and dull comedy that even the intended teen audience might have a hard time keeping up with, sighs Mayur Sanap. Years ago, when Shah Rukh Khan's Rahul from Kuch ...

Given that Twelve Final Days doesn't really delve into the genesis of Roger Federer, the ups and downs of his career, the assumption is that it is meant for people who are already familiar with his wo...

Bad Cop is not unwatchable. For older viewers, there may even be some comfort in the familiar, notes Deepa Gahlot. Bollywood has already put its stamp on this formula -- twin brothers, one grows up t...

Maharaja is an audacious attempt that breaks down the tropes of a crime film with a brilliant Vijay Sethupathi in the lead, notes Arjun Menon. Nithilan Swaminathan's sophomore directorial outing Maha...