LUVCELEBS

Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha. We have seen many Malayalam movies, where the family's eldest son/daughter shoulders the responsibilities and sacrif...

The music of Wedding Pullav isn't exceptional but it seems to go well with the story, says Aelina Kapoor.  Wedding Pullav is about, well, a wedding, and composers Salim-Sulaiman come on board...

Jazbaa is a mercifully brief movie, just about two hours long, but that’s about it in terms of the good part, warns Raja Sen. In many ways, Jazbaa is the Irrfan Khan acid test.  Not that Irr...

A mostly watchable thriller, Jazbaa is marred by its director Sanjay Gupta’s penchant for excesses, feels Sukanya Verma. Aishwarya Rai Bachchan is a grim woman on a mission. She’s back o...

The film keeps you engrossed for most part, says S Saraswathi. Cinematographer-turned-director Laxman Kumar’s Masala Padam (Masala Film) has been made with the sole intent of condemning film cr...

Hum Sab Ullu Hain is a brutal assault on the senses, rants Nishi Tiwari. Think of the lousiest movie you've ever watched, and multiply it by 100. It would equal to Hum Sab Ullu Hain. It’s qu...

Malayalam films Oraalppokkam is open to interpretation and therein lies its appeal, says Paresh C Palicha.The independent cinema movement, currently being revived in Kerala, has found admirable ...

Singh is Bliing is far too moronic to be saved, says Raja Sen. It’s as if Akshay Kumar is daring us to like him. The man has genuine acting chops, drips with screen presence, is significantly f...

Talvar is a cleanly-crafted film, says Raja Sen. The scariest part of Meghna Gulzar’s Talvar is when it makes us laugh. A tightly-coiled procedural made with such dryness that it seems, in part...

The Martian proves to be a light, pleasant watch, says Raja Sen. How long can a modern-day space romp go without breaking out the Bowie? In keeping with pop-scored movies like Guardians Of The Gala...