LUVCELEBS

Nikhil Advani’s Hero remake follows the template of the original, which may not have been the wisest course of action, notes Raja Sen. Kids today know what a gym is. They know how to flex...

Yatchan is an unexciting action comedy, writes S Saraswathi. Director Vishnuvardhan's Yatchan (Puppeteer) is based on a novel by Suba.  The film features an ensemble cast of his younger broth...

Athiya shows potential, Sooraj his physique in a film that dishes out inadvertent hilarity in abundance, says Sukanya Verma. I cannot recall the last time I heard a character say the legendary, ââ...

Starting from a chartbuster song despite its below-the-belt essence and ending with a forgettable number, Bhaag Johnny demonstrates quite some range, says Aelina Kapoor. 'Daddy mummy hai nahi gh...

Much more was expected from the soundtrack of Katti Batti, writes Aelina Kapoor. Composers Shankar-Ehsaan-Loy and lyricist Kumaar give us a peppy romantic score with Katti Batti. Siddharth Mahadeva...

Welcome Back is dumb yet entertaining, utterly silly but made with a kind of absurd, warm energy, says Raja Sen. It's hard to call Welcome Back a new Anees Bazmee film when it has its foot so firml...

Transporter Refueled is mostly a shabby hand-me-down, a moronic piece of filmmaking that fails to deliver on any front, says Sukanya Verma. If there's one thing The Transporter Refueled does is it rem...

Paayum Puli lacks the subtlety, intrigue and clarity that we have come to associate with director Suseenthiran, says S Saraswathi. Paayum Puli is director Suseenthiran and actor Vishal's second outing...

Siblings Vineeth and Dhyan seem to be making a statement on their father Sreenivasan's work in Malayalam cinema, notes Paresh C Palicha. We have lately been witnessing a lot of young talent in Malayal...

Kaun Kitne Paani Mein fails to realise its potential, says Nishi Tiwari. Nila Madhab Panda burst on the Indian film scene with the critically acclaimed I Am Kalam in 2011. After briefly touching upon ...