LUVCELEBS

There is such a thing as too much sugar, says Raja Sen The very idea of cinema as confection is a fine one, for we could all occasionally use a soothing lozenge as an opiate, and some films are meant ...

The music of Main Aur Charles may not burn the charts, but it it should go well with the film's narrative, says Aelina Kapoor. There is a lot of talent working on the soundtrack of Main Au...

Director Vijay Milton's 10 Endrathukulla is marred by overzealous performances, ordinary music, tacky CGI and poor execution, warns S Saraswathi. It is hard to believe that Vikram's 10 Endrathuk...

Lord Livingstone 7000 Kandi is a tiring watch, warns Paresh C Palicha. We have seen many variants of the David v/s Goliath story and Anil Radhakrishnan Menon’s latest venture Lord Livingstone 7...

The director successfully maintains a fine balance among the three leading men in Amar Akbar Anthony, says Paresh C Palicha. In the late 1980s and early 1990s, Malayalam cinema had many 'mimicry fi...

Crimson Peak is not for everyone, but the mood is set very early on, says Raja Sen. Guillermo Del Toro would make a spectacular mortician. There is so much the Mexican master does with the dead -- ...

Pyaar Ka Punchnama 2 contains some genuine belly laughs, and would have been perfect were it not for its feature-length running time, writes Raja Sen. Let’s start by setting the record st...

Director Gunasekhar deserves applause for his attempt to capture history on screen, but the melodramatic screenplay, never-ending battle scenes and exaggerated performances give an unreal quality to t...

Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha. We have seen many Malayalam movies, where the family's eldest son/daughter shoulders the responsibilities and sacrif...

The music of Wedding Pullav isn't exceptional but it seems to go well with the story, says Aelina Kapoor.  Wedding Pullav is about, well, a wedding, and composers Salim-Sulaiman come on board...