LUVCELEBS

Director Pandiraj’s Pasanga 2 is fun-filled, emotional film about children reeling under the burden of their parents's dreams and aspirations, says S Saraswathi. Pasanga 2 is National Awa...

Dhanush-starrer Thanga Magan is loaded with plenty of comedy, romance and sentiments, but seems to have run out of ideas post interval with the film ending on a tame note, says S Saraswathi C...

'Talwar se zyada dhaar chalane wale ki soch mein honi chahiye,' says the strategy-savvy Bajirao in Bajirao Mastani. Only if director Sanjay Leela Bansali had listened, says Sukanya Verma. The challeng...

'We expect insignificant froth from the director, but this particular can of Rohit Shetty has been lying open too long.' 'The contents are not merely un-fizzy but, unforgivably, flat,' Raja Sen says a...

'This is a giant film, a magnum opus drunk on its own magnum-ity, and it is perfectly clear early on, as the narrative races out the gate and gauntlets are flung up in the air and shot through with ar...

It has been a while since AR Rahman had delivered a popular score for a Hindi film. The Tamasha soundtrack is certainly worth the wait, says Aelina Kapoor. After giving us Rockstar, composer AR ...

Rima Kallingal and Manju Warrier give powerhouse performances in Rani Padmini, raves Paresh C Palicha. Director Ashiq Abu takes up the gamble of making a film with no male superstar. Rani Padmini i...

The music of Prem Ratan Dhan Payo is well done, and seems to be exactly what the filmmaker ordered, writes Aelina Kapoor. Composer Himesh Reshammiya and lyricist Irshad Kamil seem to have stu...

Kanal turns out to be an average effort even though Mohanlal does his best to salvage it, says Paresh C Palicha. 'Every end has an old beginning,' says the tagline of Mohanlal's new film Kanal, ...

Simple, sweet and uncomplicated, Naanum Rowdy Dhaan is a romantic comedy that deserves a watch, writes S Saraswathi. After the spectacular success of Velaiyilla Pattathari and the National aw...