LUVCELEBS

Leela may carry the buzz that it deals with a controversial subject, but there is nothing objectionable in the film, says Paresh C Palicha. Director Ranjith had announced Leela, based on a short...

Emraan Hashmi-starrer Azhar has some feelgood songs, writes Aelina Kapoor. Think Emraan Hashmi and Ekta Kapoor, and you may remember their hit songs in Once Upon A Time In Mumbaai and The Dirty Pic...

Sadly, Randeep Hooda's strong presence isn't enough to save this faltering film, says Namrata Thakker. Some actors never fail to deliver, and Randeep Hooda is one of them. His latest film Laal Rang is...

Nil Battey Sannata is a fitting tribute to mothers and their unconditional love, feels Namrata Thakker. Directed by Ashwiny Iyer Tiwari, Nil Battey Sannata stars Swara Bhaskar and has been produced...

Good performances, a well-written screenplay and great comedy make Vasanthamani’s Vetrivel a decent watch, writes S Saraswathi. Director Vasanthamani makes his directorial debut with V...

Laal Rang's music is not worth a listen, feels Aelina Kapoor. Is different always good? No. That's what you feel after listening to the soundtrack of Randeep Hooda's Laal Rang that falls short of b...

Take a bow, Shah Rukh Khan, raves Raja Sen. Who could do this film but Shah Rukh Khan? Conceptually, the basic idea propelling the narrative of Maneesh Sharma’s Fan appears deceptively si...

Solely as a script, Fan is an underwritten, messy construction of unrealistic proportions. But when viewed as a jugalbandi between Shah Rukh Khan and Shah Rukh Khan, the experience is unique and rewa...

Theri rests entirely on Vijay's shoulders, feels S Saraswathi. Atlee made his directorial debut with the brilliant Raja Rani in 2013. He returns with his second venture, an action entertainer t...

The music of 2016's Baaghi may be nowhere close to the blockbuster soundtrack that had been delivered by Anand-Milind for Salman Khan's namesake film, feels Aelina Kapoor. Twenty-six years ag...