LUVCELEBS

The only novelty in School Bus is the much publicised casting of Kunchakko Boban as the cop investigating the case of the missing child, writes Paresh Palicha. There is a section of people who believe...

It is a tough task to put together a theme-based soundtrack for a film and make it interesting and entertaining enough to find an audience. Amit Trivedi and Shellee make it happen with Udta Punjab,...

There is certain consistency that the team of Do Lafzon Ki Kahani manages with its music, writes Aelina Kapoor. Okay, so Randeep Hooda is turning out to be one of the most versatile actors ar...

Anu Menon’s true triumph lies in how she doesn’t vilify a profession or its uncomfortable reality to gather empathy for her characters, says Sukanya Verma. In times of inconsolable grie...

This is not a film worth recommending, says Raja Sen. Ram Gopal Varma has never been one to let truth get in the way of a good story. His new film, Veerappan, for instance, opens with a quote that 'a ...

If you love the thrills and heebie-jeebies then Phobia is for you, says Namrata Thakker. Bollywood has often followed the conventional path when it comes making horror or thriller films. However, Pawa...

Simbu in his typical effortless style does try to be honest with his witty and sarcastic comebacks. But it is Soori who steals the show with his spontaneity, says S Saraswathi. Simbu and Nayanthara...

This movie might involve the most 'acting' Khan has had to do in a while, says Raja Sen. Goodbye, Salman Khan's Weird Accent. Hello, Salman Khan's Weird New Accent. Also, hello to new box office recor...

Aishwarya’s efforts to look and sound the part show. But not in a way that helps the movie, feels Sukanya Verma. Omung Kumar’s access to inspiring individuals is the only noteworthy aspe...

'Sarbjit is an irresponsibly sloppy film, a film so focused on artless emotional manipulation and trying to make the audience weep, that it trivialises an important true-life story,' says Raja Sen. Th...