LUVCELEBS

Ko 2 is too dreary to make an impact, feels S Saraswathi. KV Anand's 2011 political thriller Ko was one of the biggest hits of that year. Its sequel Ko 2 hit the marquee this weekend and e...

...Dear Dad is disappointingly skin deep, feels Sukanya Verma. Long drives and uncomfortable silences don’t bode well. Especially when a father is trying to make conversation with his 14-year o...

Who was Mohammad Azharuddin? More crucially, *what* was he? Those are precisely the questions that, as the end credits roll after 132 minutes of run-time, remain unanswered, feels Prem Panick...

Who was Mohammad Azharuddin? More crucially, *what* was he? Those are precisely the questions that, as the end credits roll after 132 minutes of run-time, remain unanswered, feels Prem Panick...

Emraan Hashmi and director Tony D'Souza try hard, and their effort shows. But Raja Sen wishes he could have said the boys played well. When news of the match-fixing scandal broke, my very first though...

Pencil is an engaging thriller with an interesting plot and good performances, feels S Saraswathi. Music composer GV Prakash is slowly but steadily trying to prove himself as an actor. Director ...

The music of Sarbjit gets a good start but despite a plethora of talent coming together, the final result leaves you asking for more, writes Aelina Kapoor. Sarbjit music is very repetitive...

What was Pooja Bhatt thinking, wonders Aelina Kapoor.Boring. That's the best way to describe Cabaret's dull and lifeless music, and one wonders how director Pooja Bhatt okayed them. The Bhatts have al...

Traffic is muddled and lacklustre in its set-up, feels Sukanya Verma. In Traffic, practicality and sentiment not only co-exist but collaborate to fulfill a higher purpose of saving lives. Through i...

Not only is the story done-to-death, there is hardly anything spooky about 1920 London, feels Namrata Thakker. Sharman Joshi's 1920 London is like most of Bollywood horror movies: boring and predi...