LUVCELEBS

It is the charm and the freshness of the young cast that makes Aanandam work, says Paresh C Palicha. Ganesh Raj's Aanandam tells the story of a bunch of first year Engineering students, who are ...

Director Shivaji Lotan Patil does no justice to the story, feels Prasanna D Zore. When then prime minister Indira Gandhi was assassinated by her Sikh bodyguards Beant Singh and Satwant Singh on Octobe...

Actor-director Shashank Udapurkar's biopic Anna, is a sad linear sketch of the man who brought the Delhi establishment on its knees, feels Prasanna D Zore.  Kisan Baburao Hazare, aka Anna Hazare...

Inferno is a yawn, warns Raja Sen. Tom Hanks is not Nicolas Cage. This, for the most part, is a good thing. Academy Award winners both, Hanks and Cage first made their bones with off-kilter comedies w...

Fuddu is worth your time, says Namrata Thakker. Sunil Subramani's Fuddu isn’t an extraordinary film but it’s worth watching once if you’re done with the typical Bollywood masala e...

Mohanlal towers in Pulimurugan, feels Paresh C Palicha. What would you do if you were to direct a brilliant actor and superstar? You would let your imagination run wild, thinking about the characters ...

Rekka overdoses on action, feels S Saraswathi. Hero-intro songs, gravity-defying stunts or romantic numbers picturized in exotic locations in a Vijay Sethupathi movie seem almost impossible to believe...

Director Bakkiyaraj Kannan's Remo is a ridiculous romantic comedy revolving around the hero's struggles to win the girl of his dreams, writes S. Saraswathi. Sivakarthikeyan has grown to become one of ...

Devi is neither scary nor funny, writes S Saraswathi. Madharasapattinam fame director Vijay’s latest offering Devi is a trilingual being simultaneously released as Abhinetri in Telugu and Tu...

The film sacrifices sense for style, feels Sukanya Verma. Some stories are a product of its time. Against a contemporary perspective, they are straightaway obsolete. But delve deep and they’ll ...