LUVCELEBS

Baahubali: The Conclusion is a spectacular achievement, which not only deserves its place in history but also proves filmmakers should dream big and more often, feels Sukanya Verma. When S S Rajam...

When Noor engages in shallow activism for the heck of it, it rambles and drags, feels Sukanya Verma. The manic pixie dream girl has a whiny sister. I like to call her the uppity scatterbrained pint...

In a performance marked by amazing maturity and restraint, the actress conveys the dark, brooding and internal process of recuperating from grief and finding closure.It's obvious she feels strongly a...

Begum Jaan makes a lot of noise, cuts a lot of throats, but sucks up to kiddie-ideas of history and revolution, feels Sreehari Nair. In Begum Jaan, Vidya Balan (playing the eponymous Begum) puff...

In its preoccupation with drama, Begum Jaan neglects to reveal its soul, feels Sukanya Verma. The truth of Partition is stained with blood and brutality. One that burnt homes, took lives and livelihoo...

Despite its many problems, A Death in the Gunj is an important work, says Sreehari Nair. It is a fact well established that a man at his angriest reveals expressions of his mother. Betray a man's trus...

Flirting, persistence and longingness comes alive in Mani Ratnam's Kaatru Veliyidai, feels Divya Nair. There are love stories and then there's romance, Mani Ratnam style. You may forget the former, b...

Laali Ki Shaadi Mein Laaddoo Deewana is insipid, terribly made, and yet a Warm Enterprise, feels Sreehari Nair. Few people in the audience knew the exact movie title. By the end, fewer even cared. I s...

Mukti Bhawan is as much about its characters embracing the inevitability of death as it is about their loved ones grappling with conflicting emotions, writes Sukanya Verma. Shubhashish Bhutianiââ...

Sukanya Verma gives her reasons for watching The Salesman. Asghar Farhadi’s gift to anticipate danger in ordinary scenes and pick on unspoken torment around a narrative stoked by ambiguity lend...