LUVCELEBS

...But ends up being oddly moving, says Sreehari Nair. Prosit Roy's Pari is Ek Thi Daayan in reverse. For a film with a cunningly baroque and riveting first half, Kannan Iyer's Ek Thi Daayan had one ...

Welcome To New York is not a film with a story or a message. It's a mishmash of IIFA footage, with intermittent spoofs about Bollywood's vanity, feels Prasanna D Zore.   Trust Karan Johar and R...

A delightful supporting cast rescues an underwhelming film, says Sukanya Verma. In Luv Ranjan's brand of creativity, misogyny is a movie genre by itself. Men are lovesick fools better off bonding wit...

Frances McDormand's thumping central performance is a masterclass in how to sock the screen with flawless outrage, notes Sukanya Verma. The truth is rarely pure and never simple, professed Oscar Wild...

Onir has got what it needs to make films that are sensible, thought-provoking and entertaining at the same time. Onir's Kuch Bheege Alfaaz leaves you with moist eyes and a joyful heart.The film's tit...

Aiyaary is a bloated, prolonged, mess of misplaced purpose that digresses from military misdeeds to animal cruelty, says Sukanya Verma. Aiyaary begins with a lengthy disclaimer stating it is a work o...

Neeraj Pandey's Aiyaary is the sort of spy fantasy story that drunks narrate in bars, says Sreehari Nair. Often in movies where he's anointed by the devil, Kumud Mishra plays a terrible Advance Man. ...

...And that's a very good thing, feels Sukanya Verma. Black Panther doesn't have the manner of a regular superhero vehicle. It's the first thing you notice and love about the latest Marvel comic book...

'Del Toro hits a cinematic nerve in capturing an enduring love for the oddball, the beauty in the bizarre and, most importantly, reminding what it's like to have what one wished for since a kid -- a h...

'Parts of PadMan look like a Vicco Turmeric commercial, parts of it look like a Tourism Ad and parts of it like a commercial for Etihad Airlines. But almost all of it, unmistakably, sounds like one bi...